FractalStein, the powerhouse of a glitch hop musician, has released a new EP with Dynasty Shit (Bassadelic’s record label) and it’s a fucking incredible release.
It’s full of bouncy, unique and melodic synthesizers that gently lift you up and take you to a magical, psychedelic rave world – but then the hardcore trap and thumpin’ glitch hop bass lines start banging away, reminding you to dance!! FractalStein is one of my favorites right now, and I’m sure he’s going to be doing a lot of incredible things in the future. He’s definitely one to watch. If you don’t believe me, take a listen, below! He makes some of the most forward-thinking glitch hop anyone’s ever heard. It bounces all over the place, and yet, at the same time, it does it in a very organic way; it feels like a very concrete and actualized musical vision.
Anyway, long story short, it’s dope as fuck, it’s free as fuck, and you might as well give it a shot.
This is, as stated, a release from the new Bassadelic record label, Dynasty Shit… But not only that, it’s also THE FIRST release from Dynasty Shit! Get ready for a LOT more incredibleness. We’re defnitely going to be emphasizing the jungle footwork side of things, though not always. Glitch hoppy trap style shit, like this FractalStein ep, fit right into our mantra of releasing high quality and cutting-edge electronic music. Basically, we want to give you as much hardcore / mezmorizing material as possible. We want to blow your mind completely with every EP, every LP, every compilation, and anything else we release.
Scientists don’t yet know how to encode LSD into a sound wave, but when that day comes, WE PROMISE WE WILL UTILIZE THAT TECHNOLOGY! Though there aren’t any drugs in our actual audio files, there might as well be, because our music is insanity in a sound wave. So, basically, we’re almost like drug dealers. I guess that’s why we’re trying to say. Hmm.
So, a couple years ago, between listening interchangably to grunge rock and electronic music non stop, and smoking a strain of extremely high-CBD-packed medical marijuana that a certain dispensary in San Jose had called, ‘The White,’ an idea formed in my head:
‘What if I remixed old grunge rock tunes?’
Well, I hit up a couple of forums, most notably, Glitch Hop Forum, and I presented the idea to the fine folks on those fantastic forums, and it turned out there were a number of people who were interested in collaborating. Thus, the Grungestep Compilation was born. Many fine musicians, from Figgy to sAuce, Sidereal, Michael Pan Cocoa, Dual, CancerofLove, Konekta, myself (StrangeFlow) and many more, the two Grungestep compilations that emerged were a lot of fun. And though the somewhat-jaded grungeforum seemed to be quite offended (as well as a good chunk of the internet) many folks enjoyed these mixes. It was actually a pretty polarizing concept. Many old rock fans, a few years ago, didn’t take too kindly of some ‘techno DJs’ remixing their favorite classic songs (this was about a year or so before dubstep changed SOME of that notion…) But whatever. Fuck em :) It was fun, so who cares?
Anyway, about a week ago, Mad Buddha hit me up and asked if he could put a video to my remix of Alice in Chains’ ‘Them Bones,’ tune. But, I had to let him know that it wasn’t a remix I had personally done – it was a remix by Sidereal, a talented electronic musician I originally met on Glitch Hop Forum. Sidereal made a dope (dope! dope! dope!) remix of ‘Them Bones,’ and Mad Buddha was so interested in this remix that he took it upon himself to make a video for it. So, here’s that video:
You can download the video if you want. Or, to get the full Grungestep Compilations downloaded (also free / ‘pay what you want’ from Bandcamp) you can grab that shit here.
The Grungestep Compilation appeared on Soul Outsider Records, which was a label I set up for awhile, releasing these grungey compilations, as well as several StrangeFlow albums, including the “rare” ‘Slacker Crunk LP,’ in which I tried to take the grunge-remixing concept a step further, creating full songs that borrowed heavily from grunge music, instead of merely making full-on remixes. Both concepts were fun, and people seemed to enjoy them. Though, the Grungestep Compilations may have been a couple years ahead of their time (or maybe I’m just an over-pontificating fuck-ass) because, a year or so after these compilations came out, two things happened – 1) electronic music saw a real rise in popularity – and, 2) something else is starting to happen now: the sounds of the 90s are starting to come back. Slowly, but it’s happening.
((This, above, was the tune that originally inspired the whole compilation. It was by Dual, a delightful Polish DJ / producer, and it’s a remix of Nirvana’s ‘Smells Like Teen Spirit.’ ))
Albeit, it’s mostly the electronic, and SOME hip hop (and SOME r&b) music from the 90s that’s starting to get played out again, but you have to keep in mind, if a full-on 90s-influenced ‘flashback’ happens, rock will be the last to know about it… Rock is, at this point, an institution / dinosaur / slow-moving-corporate-entity, and like other entities similar to it, it sometimes takes a minute for something as jaded and set in it’s path to really change it’s style up and move in a different direction. It’s not as much the fault of the musicians (well, it somewhat is, but only SOMEWHAT) but really, it’s more the fault of rock “journalists” and media outlets, like MTV, or Rolling Stone Magazine, which somehow makes a whole magazine out of talking about how awesome Bon Jovi and Springsteen still (???) are.
But whatever, this isn’t really an article about how terrible Rolling Stone Magazine is, I’m just saying, there’s a commercially vested interest in keeping an anti-establishment style of music (…& I mean a TRUE anti-establishment style, not just some bullshit pop-punk “REVOLUCION!” nonsense) far away from the radio, as 90% of what you hear on mainstream radio is payola, where million (or billion?) dollar corporations pay million (or billion?) dollar radio monopolies/conglomerates to pay the newest tune by Justin Bieber, Rhianna – or whomever has been chosen, this time around, to soak up the love and praises that these corporations manipulate 14 year olds into adoring.
((This, above, was my own remix for the first Grungestep Comp, and it’s a remix of Beck’s ‘Loser.’ I had fun with it. ))
Now, before anyone chastises me for bitching about the influence of money in music (“Because, StrangeFlow, you, too, run a company!”) let me point out that I’m not (at all!) against making money. But there’s a pretty large distinction, in my eyes and in the eyes of anyone reasonable, between 1) trying to pay the rent AND 2) making billions by diluting a majority of the music people have access to as far as conventional media outles go. In other words, you don’t have to be a hippie to see how fucked up things are. Eh?
Alright, well, this has turned into quite the little rant.
Here’s the Compilation:
Anyway, thanks again, Mad Buddha, for bringing back the Grungestep Compilation with this tremendous remix-video of a grunge remix. Mad props!! My favorite shot is when it looks like the shark is going to eat Alice in Chains. Fun shit.
So, for a little while now, I was going through some old electro funk tunes, and having fun listening to the most electric-cowbell-friendly genre in existence… It was a lot of fun.. I definitely had some good ones. Gotta say, Debbie Deb’s ‘When I Hear Music’ is probably one of my favorites…
Just listen to those claps; that 1980s analogue subtractive synthesizer waver around; the vocoder compliment Deb’s lyrics so funkiliciouly, and those prominent rimshots, giving such a… such a great rimjob. I mean, uh… I mean, well… yea, a rimjob. I like music with prominent rimjobs.
Well, anyway, I decided to cut some samples from songs like these. It felt like a great resource. Maybe I could post em up online, too; and the world could get a taste of these clap-happy rimjobby cowbellish grooves.. (I really need to start proofreading…)
Anyway, long story short, my hard drive crashed. Fuckin crashed. I lost some good shit. I had backed up a lot of my hard drive a few weeks earlier, but lazily didn’t click on the ‘music folder’ to save it back it all up (FOR SOME IDIOTIC REASON) so I had no more electo funk masterpieces available on my hard drive.
So, about a week after I had taken steps towards putting my computer back in order ((I ALSO LOST HALF OF A BRAND NEW TRAP-BEATS SAMPLE PACK!!!)) I at some point felt the urge to get some of that funky electro rimjobby tunage up into my ears again (I hope that last sentence makes sense, somehow)… So I went out and attained some of those sweet funky grooves once again.
I think an inner funk wave hits me about once a year, and I think now is that season. So, as stated, I cut some samples from some of these classics, and I’d like to share them with you. Keep in mind, NONE of these are cleared for commercial use. So, technically, these are for educational purposes only. Therefor, you’re on your own as far as how you to choose to use these samples. Since I run a website, I can’t tell you to put them into your commercial releases, but I can say, “have fun and fuck around with em!”
I organized them into one-shots – kicks, snares, hats, etc, and there’s also a ‘synth’ folder, and a ‘whatever else,’ folder. They’re intended as one-shots, though there is one sample that extends a bit too long and you get to hear part of an old Tamil recording for a few extra seconds. I was going to go back and cut that early 80s Bollywood part out, but then I thought, “Well, damn this is a novelty, why not just keep it in?”
Dugg Funnie, an electronic producer whom I met over on the Glitch Hop Forum boards, recently put together a sample pack that contains tom tom samples from his personal stash, and they are available FREE. It’s definitely a quality pack of tom tom samples, so if you’re in need, or just curious, check em out!!
So!! Mark Kloud, the creator of many fine things related to footwork jungle, has created Ground Mass, a new record label. Among other things, this label promises monthly footwork jungle compilations for the rave-lovin’ masses! Well, the May 2013 Compilation of Ground Mass is NOW AVAILABLE, and as I stated a minute ago, it’s FREE!
Ground Mass looks to be a really fun project, and I’d like to thank Mark Kloud for spearheading this shit. He beat me to the punch as far as the release of a compilation on my footwork jungle net-label, Dynasty Shit, but hey, it’s not a competition [in fact, electronic music has always shown itself as being a very cooperative and resourceful culture to everyone involved, with a very plur-esque (yea, ‘plur-esque,’ yea, that word just got dropped) attitude, so I’m not gonna bitch about it.] Ha. Plus, Mark Kloud is going to have a tune featured on Dynasty Shit’s first compilation. So, to quote Method Man, shit’s like bing-bang!!
So head on over to groundmassmusic.bandcamp.com to pick up the comp FO FREEE! Some REAL fun shit on this mixtape!!! You could listen to it there, or feel free to listen to it below, as well. Some REALLY dope musicians came around for this one, including Wellbelove, KidLogic, 5ifty$ix K, DLX, J Majik, and many more. :)
The track listing is as follows:
1. Wellbelove – Pseuds 04:33
2. DLX – Get Back! 04:36
3. Shy FX & UK Apachi – Original Nuttah (Homesick Footwork Edit) 04:37
4. J Majik – Repertoire (Plot Twist Remix) 04:38
5. J(ay).A.D – Bitch Fuck U (VIP) 04:36
6. Marvellous Cain – Dubplate Style (Mark Kloud 160 Edit) 05:08
7. KidLogic – Lay Low 04:57
8. 5ifty$ix K – Cuz I’m Counting Money 03:40
9. Boi-A-Gutz – 160 #9 05:27
10. Andrew Juke – Qualcomm 03:24
11. SNCD – Outta There 04:49
12. Skanna – This Way (1H9!N Remix) 03:25
Aaaaand here you go:
Enjoy this raw dope footwork-jungle material, and expect many more good things from this exciting new label!!
So, I was working on a sample pack the other day, and was fixing up to cut some high-powered snare samples (each with an ultra-trill indexing of 1000% percent) and I noticed that there was a dozen or two snares in the pack that had a certain… “ultra-thick/layered” sound to them.
Instead of keeping them for the original sample pack, I thought to my myself, “StrangeFlow, why not give these away in a special ‘Ultra Thick Layered Snares’ package? Come on, just do it, nerd!”
So, that’s what I did. These snare sounds are ultra thick, ultra sick, processed – and then layered – with sounds from a variety of sources, including the 808 drum machine, the TR 68, the 606, the 909, and even the Cheetah MD16 ( a real rarity of a drum machine – it’s got some really fun electric cowbells!)… I took a range of sounds from these machines, including snares, claps, cowbells, toms, bongo’s, kicks, etc; I carefully, methodically, and stylistically smashed them into each other in a way that makes these ‘snare’ sounds really colorful and thick. They’re sick as sick can be. I feel like some of these sounds would be perfect for a glitch hop tune, or something more chill like a J Dilla-style beat… or Flying Lotus / Samiyam… Something along the lines of some hip-hoppish-ness, where you’re trying to really let your breaks shine, and you really want to show off your stylish snares (cuz it’s always – ALWAYS good to be able to brag ’bout your snares..)
But just remember: with statistical analysis, I have concluded that these snare sounds definitely have an ultra-trill indexing of about 1000%, so be careful.