Fuuuuuck yes. That beautiful juke, with DJ Rashad, DJ Manny, RP Boo, and DJ Spinn!!!
Ray-Ban x Boiler Room Pitchfork Festival official afterparty with Jacques Greene, Todd Edwards, Teklife (DJ’s Rashad, Spinn, Manny, and RP Boo), and Ryan Hemsworth
I recently discovered the Boom Tschak Podcast – a very fun series of episodes that feature some of the more cutting edge dance music that’s been spilling out of the electronic music scene lately. Though I’m not usually a fan of straight-up music podcasts (because, well, most of ’em just play electro house and the same ol’ dubstep we’ve all heard a hundred times) this show is a real treat! Basically, each episode is like a full-on mixtape! Lately, I’ve been hearing a lot of footwork jungle (or jungle-footwork, whatever) which I’ve been ALL about lately, here at Bassadelic.com
Want to hear an episode of Boom Tschak right now??? You do??!!! Ok, click below!!
(You can also download ’em, and take your footwork jungle and bass on the go!)
I asked Marcus (the creator and DJ at Boom Tschak) to give a few words about these fun podcasts, and he had this to say:
In my podcasts I generally follow a concept and explore niches of jungle and dnb. The aim is to create something exceptional, that you come back to listen to again. I´m into Juke / Footwork for quite some time now and wanted to record a set to introduce people to that sound, who come from a dnb background, just like myself. So the classic Chicago school isnt really represented. I also left out the more experimental tracks from the Planet Mu and others, because I wanted a danceable selection. And I stuck with 160bpm, so some tracks from the dnb camp were also kept aside. In dnb I ususally play a lot of jungle-inspired tracks, so this color is also prominent in the set. Mixingwise I do my usual thing with long transitions, trying to create something new by layering and equing out.
Feel free to correct my english!
Marcus
Well, I didn’t feel the need to correct the dude’s English, it was pretty understandable :)
Thanks for the words, and the dope selections, Marcus!!!
That episode I just posted is my favorite so far, but it’s definitely not the only one. I went to the official site for the Boom Tschak Podcasts, and found some info on the newest episode, as well as a track listing… (WHICH IS HEAVY ON THE FOOTWORK JUNGLE) :
The Juke is on Myom: In his latest podcast he presents one hour of finest Juke-Drum&Bass and Footwork-Jungle. It´s all about crossing boundaries!
Lately the likes of Fracture, Om Unit / Philip. D. Kick, Machinedrum and many others experiment with fusions of contemporary Drum&Bass and Oldschool-Jungle with the sound of the Juke & Footwork movement that developed in Chicago out of sped up Ghettohouse.
This excellently mixed compilation brings you of some of the best tracks in this hot niche!
01 DJ Earl – Funky Beats
02 Fracture feat. Dawn Day Night – Get Down to the Funky Beat
03 Skream – Under the City Lights feat. am Frank (DJ Paypal Rmx)
04 Louis Blaise – Love and Gwalla (Philip D. Kick Rmx)
05 Roni Size – All Cru muss Big Up (6Blocc Footwork Rmx)
06 Africa Hitech – Out in the Streets (VIP Mix)
07 Cadenza – The Darkest Hype (Philip D. Kick Rmx)
08 Roni Size & Reprazent – Jazz (Slick Shoota Edit)
09 Dawn Day Night – Alcoholic Dance Flow
10 Calculon – Where I´m From
tease only: Digital – Deadline
11 Deft – Bring Your Thing
12 Dawn Day Night – Voodoo Vibe
13 Nickotine – Crack
14 Calculon & Austin Speed – Back the Fuck Up
15 EAN – Aulderkincher
16 Pawn – Blacklight
17 Calculon & Pawn – Crush
18 Interface & Minus – Hardwork
19 Slick Shoota – Hit the Flow feat. 5kin & Bone5
20 Slick Shoota – Wile Out
21 Pawn – Die for You
22 Apex feat. Ayah – Space Between (Sinistarr Rmx)
23 Dream Continuum – Set It
24 Remarc – R.I.P. (Philip D. Kick Rmx)
25 Lennie De Ice – We Ir E (Om Unit Rmx)
26 Dream Continuum – Give a Little Love
As stated, there are definitely more episodes, and you can get em at the website. The website has incredibly beautiful graphic design, too. No need to mention that, really; but it caught my eye, and I’mm sure it will catch yours, as well..
Trill Scott Heron has been blowing shit on fire for awhile now with his blend of ultra purple “future screw” material. But what the fuck is future screw? Well, do you know what chopped n screwed music is? It’s basically that, but, uh… more future’d out…
So what’s chopped n screwed?
Over two decades ago, DJ Screw, a Houston hip hop DJ, slowed down the hip hop – waaay down – and then chopped it, adding a faux-stutter to parts of the song. Then, he would phase it out while occasionally spicing up the intro or outro with his own vocal toasting on top. It’s a fun remix style. And, like many styles of music, there is a strong drug connection to it; in this case, it’s called syrup. You don’t HAVE to be on syrup to enjoy the music, that’s for sure – but the slowed down and phasey quasi-psychedelic nature of the music goes well with codein and sprite.
Anyway, what the fuck is future screw?
There are definitely different variations of it, but some of the most notable strains seem to include the same slooooowed-down aesthetics that you would expect from a screw (or skrew) track (using modern hip hop / trap beats as the primary source of remixed material) but in addition, those dutch house synths that were made popular in moombah (and trap) are added, as well (slowed down considerably). The result? Bing, bang! You got future screw!!
So, how the fuck is Trill Scott Heron, why does his name sound familiar, and what is this new mixtape of his?
Ok, seriously, stop swearing at me, and I’ll tell you!
Gil Scott Heron was a vocalist from the 60s and 70s (and actually had a comeback recently) who is best known for his civil-rights-era politically poetic vocals and beautiful jazzy instrumental music, with songs such as “The Revolution Will Not be Televised,” and “Winter in America.” Trill Scott Heron is most likely a play on Gil’s name, just as Philip D. Kick is a play on Philip K. Dick, Diles Mavis as a play on Miles Davis, etc.
Trill Scott Heron is a fucking champion, though! He’s been prolifically future screwing the fuck outta music lately, and I thought his new mixtape (which I’m listening to for the third time, now) deserved a mention on Bassadelic. So, the mixtape is presented by Trill Scott and trapstyle.com, it’s called, ‘Future Screw 3,’ and it’s available here, or you can listen below:
Gimme more future screw, I’m addicted. Or allergic. Or something, but I’m having a strong reaction to it!
Ah, no problem!! There’s “STYLSS SUICIDE PACT : T H R E E – Future Screw Mixtape Hosted by 8oh8 of ȘƱƁx₡ῌɌØИῗϾ.” (FULL DISCLOSURE: I’m not gonna lie, I copied and pasted that entire name. I have no idea where all those letters and doodles are on the character map, and I’m too lazy to go lookin… Anywhoooo….) ȘƱƁx₡ῌɌØИῗϾ is dope, and 8oh8 shows definite capability in the purple department. The mixtape is very enjoyable and chill, and I recommend a good ol’ fashioned listen!
Thank you, KidLogic, for dropping this bomb of a gem of a jam on us. Bassadelic is 200 posts old, one year young, and still offering the dopest mixtapes ON THE WHOLE INTERWEBZ for you! This is some immediately exciting shit, too. You won’t find something this interesting anywhere else, outside of the deepweb!
Lotta fuckn thrilling juke, jungle, rave’d out bass music, and a few original KidLogic tunes on this one! Yes, you heard right, new KidLogic material is ON THIS MIXTAPE – and? …And it’s fuckin FREEEEE! OOOH my gosh. What a happy 200th Post Celebration this is turning out to be!! OOOOhhh goodness!!!
So light up your candles, put this mixtape on and make love to a birthday cake – because this is an action-packed series of tunes that you’re going to want to download immediately. Think I’m over-exaggerating? Well, maybe with the ‘make love to a birthday cake’ I am… (OR AM I???)
Here’s the mix. Or, if that link doesn’t load (or if it takes a bit too long for your liking) go here, instead.
Starts out with a classic, then moves into a new KidLogic tune, then jumps to two of my all-time-favorite juke trax of all time – Dj Manny’s ‘All I Do Is (Smoke Trees)’ followed by DJ Spinn’s ‘She Turnt Up,’ followed by… Well, I won’t describe the entire thing for you, just have a download and take a listen! Here’s the track listing:
Sublime – Summertime
KidLogic – Woman That’s Ruffa
DJ Manny – All I Do Is (Smoke Trees)
DJ Spinn – She Turnt Up
KidLogic – Big Butt
DJ Spinn & DJ Manny – Over There (Gettin’ It)
DJ Earl – Set It Off
Kode9 – Kan
KidLogic – Oval Red
KidLogic – Gob’s Aztec Tomb
Happa – Beat Of The Drum (Throwing Snow Remix)
DLX – Get Back
Sound of the Future – Lighter (Phillip D Kick Remix)
Q Project – Champion Sounds (Phillip D Kick Remix)
Shy FX & UK Apachi (Homesick Footwork Remix) – Original Nuttah
Remarc – Drum and Bass Wise (Skanx Footwork Jungle Remix)
Optical – Moving 808s (Plot Twist’s +808 mix)
Calculon & Austin Speed – Back The Fuck Up
KidLogic – Menace
DJ Manny – Hyperlife
Wellbelove – Questions
DMZ – Anti War Dub (BLVKLGHT Juke Remix)
Roni Size & Represent – Brown Paper Bag (Sideswipe Edit)
DJ Manny – The Funky Beat
So, a couple years ago, between listening interchangably to grunge rock and electronic music non stop, and smoking a strain of extremely high-CBD-packed medical marijuana that a certain dispensary in San Jose had called, ‘The White,’ an idea formed in my head:
‘What if I remixed old grunge rock tunes?’
Well, I hit up a couple of forums, most notably, Glitch Hop Forum, and I presented the idea to the fine folks on those fantastic forums, and it turned out there were a number of people who were interested in collaborating. Thus, the Grungestep Compilation was born. Many fine musicians, from Figgy to sAuce, Sidereal, Michael Pan Cocoa, Dual, CancerofLove, Konekta, myself (StrangeFlow) and many more, the two Grungestep compilations that emerged were a lot of fun. And though the somewhat-jaded grungeforum seemed to be quite offended (as well as a good chunk of the internet) many folks enjoyed these mixes. It was actually a pretty polarizing concept. Many old rock fans, a few years ago, didn’t take too kindly of some ‘techno DJs’ remixing their favorite classic songs (this was about a year or so before dubstep changed SOME of that notion…) But whatever. Fuck em :) It was fun, so who cares?
Anyway, about a week ago, Mad Buddha hit me up and asked if he could put a video to my remix of Alice in Chains’ ‘Them Bones,’ tune. But, I had to let him know that it wasn’t a remix I had personally done – it was a remix by Sidereal, a talented electronic musician I originally met on Glitch Hop Forum. Sidereal made a dope (dope! dope! dope!) remix of ‘Them Bones,’ and Mad Buddha was so interested in this remix that he took it upon himself to make a video for it. So, here’s that video:
You can download the video if you want. Or, to get the full Grungestep Compilations downloaded (also free / ‘pay what you want’ from Bandcamp) you can grab that shit here.
The Grungestep Compilation appeared on Soul Outsider Records, which was a label I set up for awhile, releasing these grungey compilations, as well as several StrangeFlow albums, including the “rare” ‘Slacker Crunk LP,’ in which I tried to take the grunge-remixing concept a step further, creating full songs that borrowed heavily from grunge music, instead of merely making full-on remixes. Both concepts were fun, and people seemed to enjoy them. Though, the Grungestep Compilations may have been a couple years ahead of their time (or maybe I’m just an over-pontificating fuck-ass) because, a year or so after these compilations came out, two things happened – 1) electronic music saw a real rise in popularity – and, 2) something else is starting to happen now: the sounds of the 90s are starting to come back. Slowly, but it’s happening.
((This, above, was the tune that originally inspired the whole compilation. It was by Dual, a delightful Polish DJ / producer, and it’s a remix of Nirvana’s ‘Smells Like Teen Spirit.’ ))
Albeit, it’s mostly the electronic, and SOME hip hop (and SOME r&b) music from the 90s that’s starting to get played out again, but you have to keep in mind, if a full-on 90s-influenced ‘flashback’ happens, rock will be the last to know about it… Rock is, at this point, an institution / dinosaur / slow-moving-corporate-entity, and like other entities similar to it, it sometimes takes a minute for something as jaded and set in it’s path to really change it’s style up and move in a different direction. It’s not as much the fault of the musicians (well, it somewhat is, but only SOMEWHAT) but really, it’s more the fault of rock “journalists” and media outlets, like MTV, or Rolling Stone Magazine, which somehow makes a whole magazine out of talking about how awesome Bon Jovi and Springsteen still (???) are.
But whatever, this isn’t really an article about how terrible Rolling Stone Magazine is, I’m just saying, there’s a commercially vested interest in keeping an anti-establishment style of music (…& I mean a TRUE anti-establishment style, not just some bullshit pop-punk “REVOLUCION!” nonsense) far away from the radio, as 90% of what you hear on mainstream radio is payola, where million (or billion?) dollar corporations pay million (or billion?) dollar radio monopolies/conglomerates to pay the newest tune by Justin Bieber, Rhianna – or whomever has been chosen, this time around, to soak up the love and praises that these corporations manipulate 14 year olds into adoring.
((This, above, was my own remix for the first Grungestep Comp, and it’s a remix of Beck’s ‘Loser.’ I had fun with it. ))
Now, before anyone chastises me for bitching about the influence of money in music (“Because, StrangeFlow, you, too, run a company!”) let me point out that I’m not (at all!) against making money. But there’s a pretty large distinction, in my eyes and in the eyes of anyone reasonable, between 1) trying to pay the rent AND 2) making billions by diluting a majority of the music people have access to as far as conventional media outles go. In other words, you don’t have to be a hippie to see how fucked up things are. Eh?
Alright, well, this has turned into quite the little rant.
Here’s the Compilation:
Anyway, thanks again, Mad Buddha, for bringing back the Grungestep Compilation with this tremendous remix-video of a grunge remix. Mad props!! My favorite shot is when it looks like the shark is going to eat Alice in Chains. Fun shit.
So!! Mark Kloud, the creator of many fine things related to footwork jungle, has created Ground Mass, a new record label. Among other things, this label promises monthly footwork jungle compilations for the rave-lovin’ masses! Well, the May 2013 Compilation of Ground Mass is NOW AVAILABLE, and as I stated a minute ago, it’s FREE!
Ground Mass looks to be a really fun project, and I’d like to thank Mark Kloud for spearheading this shit. He beat me to the punch as far as the release of a compilation on my footwork jungle net-label, Dynasty Shit, but hey, it’s not a competition [in fact, electronic music has always shown itself as being a very cooperative and resourceful culture to everyone involved, with a very plur-esque (yea, ‘plur-esque,’ yea, that word just got dropped) attitude, so I’m not gonna bitch about it.] Ha. Plus, Mark Kloud is going to have a tune featured on Dynasty Shit’s first compilation. So, to quote Method Man, shit’s like bing-bang!!
So head on over to groundmassmusic.bandcamp.com to pick up the comp FO FREEE! Some REAL fun shit on this mixtape!!! You could listen to it there, or feel free to listen to it below, as well. Some REALLY dope musicians came around for this one, including Wellbelove, KidLogic, 5ifty$ix K, DLX, J Majik, and many more. :)
The track listing is as follows:
1. Wellbelove – Pseuds 04:33
2. DLX – Get Back! 04:36
3. Shy FX & UK Apachi – Original Nuttah (Homesick Footwork Edit) 04:37
4. J Majik – Repertoire (Plot Twist Remix) 04:38
5. J(ay).A.D – Bitch Fuck U (VIP) 04:36
6. Marvellous Cain – Dubplate Style (Mark Kloud 160 Edit) 05:08
7. KidLogic – Lay Low 04:57
8. 5ifty$ix K – Cuz I’m Counting Money 03:40
9. Boi-A-Gutz – 160 #9 05:27
10. Andrew Juke – Qualcomm 03:24
11. SNCD – Outta There 04:49
12. Skanna – This Way (1H9!N Remix) 03:25
Aaaaand here you go:
Enjoy this raw dope footwork-jungle material, and expect many more good things from this exciting new label!!