The ‘Golden Age’ OF the Golden Age of Rave Continues with Another Awesome Rave Mixtape Website… Yea, clever title, eh? …no??? Well.. Well, I thought so! Ah well, you keep your opinion, I’ll keep making shitty puns.. ;)
Point is, I just found a site that’s been around for more than a miiiinute (R.I.P. MARTEZ) and this site has a category of years to choose from, genres to choose from, and speaking of Martez a second ago, I gaurantee he would love this site. He was a friend of mine was ALL about the rave scene, pre-EDM era. He loved happy hardcore, especially. Anyway, I don’t have a 40 to spill a bit in his honor (no sarcasm intended) so here’s this site, instead.
mixtapes.demodulated.com/ (plus there’s lots of other mixtape sites down the page near the bottom…)
There are other sites. And if anyone wants to send me any, I’ll do my best post em.
The first line on the site was something I felt like I just had to post, I think it shows the dude’s sincerity in running a blog like this. And I have no problem sending love to fellow electronic-heads:
What is a mixtape? It’s an hour or so of a person’s life recorded for posterity.
It’s so fucking true.
I’m just gonna’ fucking quote the rest of the page. Fuck it, you can feel the dude’s love of old school rave and the extreme PLUR-mentality. He’s doing his best, IMO, to keep that PLUR ALIVE! We need that, so much, right now…
What is mixtape culture? Simply put, mixtape culture is a subset of people who enjoy compiling the things they love into a portable package and giving it away freely, or selling it cheaply for promotional purposes. Before the internet became widespread mixtapes were given to friends who made copies for friends who made copies of the copies. Quality degraded with every iteration but the love of the music and sharing was enough for this culture to flourish.
As practical and wonderful as the internet has become, the ease of self-publication has nearly caused the extinction of the face-to-face mixtape hand-off. This is both a blessing and a curse because although the internet enables proliferation on a mass scale, it forgoes the simple joy of placing something important into the hands of a friend.
It is in this spirit that I’ve decided to make much of my techno mixtape collection freely available. I hope you will download and enjoy many mixes, and invite your friends to do the same.
“kopimi (copyme), symbol showing that you want to be copied.” Apparently, there are a lot of different variations, and you can make your own. That’s probably half the fun! Here are a few:
Ook, ok, that last one is just some ecstacy… It caught my eye when I was looking on my hard drive for the images I just downloaded… It’s just a photo… Anyway , if you click on the photos, you go straight to the copy-me-page. Hmm. I learned a new concept today. Should I kill that information with a bit of smoking? Hmm… A tough question… Well.. I’ll wait till later tonight to decide (again, I mentioned Martez earlier, and I KNOW what his answer what be: “DO IT UP, DUUUUUDE!”) Ahh, he really was rave-incarnate.
So is this it, StrangeFlow? Is this all you got? …
Is THIS ALL I GOT?? FFS! Thousands of hours of rave and an introduction to a new interesting possibly-anarchistic-internet-sharing-symbol? That’s not enough??!!
..OK. Fine! Fucking fine! Here’s a bunch of other mixtape sites for ya. (I also got a mixtape page up in the tabs section, go to the music and then click on mixtapes… I got that shit, too.. But I’m not just trying to hype myself, there’s LOTS of love to go around, so here are fucking 100s of thousands of hours of rave. This should keep you good for a miiiiinute:
Ah, lingerave. You know what I’m talking about; all those girls wearing next to nothing at the stadium-sized clubs, dancing to… whatever. There’ve been a lot of angry posts all across the Western web showing comparisons between the Old Ravers and the EDM Kids – and I, like seemingly every other electronic fan/producer/DJ from ‘back in the day,’ click on those posts, get riled up at how different things are now (clothing-wise, anyway). The music is different, too. But you know what? I was thinking about it for a while, as I read the angry critiques by Gen X and Y bloggers about how these kids supposedly, “don’t know what they’re doing,” and how, “PLUR is dead,” etc, and I started thinking, damn, there are some pretty intolerant (and very…uh… ‘un-PLUR’) rants and raves (get it?) out there towards what’s going on now.
Is it justified? I remember the baggy pants, the cool wardrobes, and, of course, the incredible and MIND-BLOWING electronic music that was so new and exciting at the time! Back when I NEEDED my Fatboy Slim fix (yea, I know, I’m that old) and nothing was quite good enough except for that Norman Cook sample-recipe… NOTHING… I even rocked some shitty Hot Topic pants and had pieces of colored fabrics hanging off my belt. At some point, my hair was green, and I wore those leather spiked bracelets. Why? …I’m not sure. But at the time, I had fun with it. I was in high school. What’s the big deal? High school (and the few years of your life after high school) is the perfect time to dress weird – you don’t work a 9 to 5, you want to rebel, you want attention, and you want to have fun. I don’t regret it, even if I do cringe a little bit whenever I see a 2004 photo of myself…
Luckily, though, there was no Facebook or Imgur back then, so the photos are not online (thank goodness!) But like I’m saying: whatever! (Hey, it’s still better than the dumb 2000’s ironic hipster nonsense with the throwback 80s bullshit. Well, in my opinion, anyway…. But now look who’s hating, eh? Damn it. This article started off so well…)
The point is, what’s the problem with fashion changing? And what’s the problem with all that skimpy EDM lingerave gear? And what’s with some of the slut-shaming? You haven’t met EVERY girl at the club, how are you going to judge her based on what she’s wearing?? Anyway, most of those clothes are fine, but if it’s not your thing, you can certainly get away with wearing something more modest in the club, should you choose to… (and many still do!) I mean, if you were at a beach party, wouldn’t you expect to see a lot of skin? So why is it completely unacceptable when it’s indoors? I mean, just because a girl’s not trying to get a tan, her outfit is instantly more offensive?
If you don’t like it, OK. But most of the folks complaining about it, and talking about are of the groups I mentioned earlier; the Gen X (and some of Gen Y) who remember the 90’s and first part of the 2000’s; and when you hear these age-groups complaining about “what kids at the club are wearing,” you sound like your parents complaining about how annoying the Beastie Boys are. In other words? You sound OLD.
‘EDM,’ (with all it’s trap, dubstep, drumstep, dumbstep, lovestep, electro house, top 40 remixes, and that incessant and compulsive urge to constantly keep DROPPING everything, every twenty seconds) is going through a hair-metal phase. It’ll pass. In fact, in my opinion, that part of it has already peaked. You could even say the same thing about the last few years of over-indulgent glossy and glammy rap music. Yea, there are more douchebags involved now, but that’s what ALWAYS happens to a style of music when it gets mainstream and there’s more people involved. That’s just the math of it.
So, before you start thinking, “StrangeFlow, what the eff’n fuck? You’re all into that Skrilly McVicci stuff now?
Oh, FUUUUUCK no.
But, look at it from the longer-term perspective; styles come and styles go. Some rock, some suck. If it really sucks, like, REAALLLY sucks, chances are good it won’t be around forever. Are you old enough to remember when jungle and d’n’b came out, and it was always taking the backseat to the room in the club reserved for house music? So what did jungle do? It developed on it’s own, outside of the main stage. It grew on it’s own, and those who wanted something different might check it out.
Music culture (and all culture in general, for that matter) should be seen as a giant invisible pendulum. Perhaps in 2014 (and the second half of this decade and beyond) we can make things swing more towards the direction we like? There’s already signs of that process coming into fruition as we speak.
Jungle’s been making a comeback lately, along with acid house, and lots of other old early 90s sounds Plus, not to jump the gun (even though I know I am DEFINITELY jumping a number of guns on this) but breakcore has passed it’s “What the fuck is this? Break…core…???” phase, and it could be ready to be normalized now, seeing as half of the techniques of the really noisy and trippy complextro/step sound seem as though they were almost hand-picked from a venetian snares tune and then reorganized into a house format. No, I’m actually being serious. As far as the electronic music that’s aged a little bit, like a good wine, it’s ready to be tasted, once again. It’s retro now, I suppose! Maybe now is the time to get passed the hair-metal phase in electronic – OR, maybe it’s time to ignore the hair-metal-esque qualities of the mainstream styles of electronic (as many do anyway) and focus on growing whatever new scene or style or genre YOU are into.
Especially if you’re a bit older now – in your late 20s, 30s, 40s; it’s a time in your life to start taking on more responsibilities, affecting/organizing people and events and ideas WAY more than you could before. So, perhaps start organizing more ‘underground’ styles of electronic music shows, if that’s something you’re inclined towards. Dress how YOU think is acceptable – but if you do organize a show, PLEASE just don’t have a dress-code; rather, lead by example. A lot of folks dressing ‘silly’ nowadays are completely going with what they think is cool. So, how about showing an alternative? (Remember what they called the rock music that came after hair metal? Exactly.) Chances are, a lot of folks going to EDM shows don’t know about the alternative, because when we were listening to Venetian Snares and Kid606 and whatever, they were listening to some pop or rock music.
Or, maybe they were in diapers…?
Pushing and nagging young kids (who just discovered Daft Punk a year ago and decided to go to their first show) for not dressing like you did 15 years ago is SO irritating. Don’t you remember going to your favorite band’s show, back in the day, and overhearing older folks (well, they seemed older to US, back then) bitching about how the band “Isn’t HALF of what it used to be, back in ___ (insert a year from the 20th century)…” Oh, fuck, it was so fucking annoying to hear that shit! I wanted to scream, “Why the fuck are you at a Korn show, then, douche?” But I didn’t, because I was really overweight at the time, and that old dude seemed tough, drunk, and willing to kick my ass, if need be… Yea, there were a lot of assholes at Ozzfest. Probably still are, to this day…
Fuck, EDM might suck sometimes, but it’s still a THOUSAND times better than anything at Ozzfest… Fuck Ozzfest.
Anyway, just some thoughts. I know it’s not black and white, as there are (and have always been) motivated individuals who really do care about electronic music, whether it’s hip, or whether it’s “that gay techno bullshit,” (as that’s what a lot of people called it ten years ago)… I’m not really loving everything about the new school (by far) but really not trying to hate too much, either. If PLUR’s going to “come back,” into the main room of the club, it should be in a more, I don’t know… “PLUR-ish,” way, perhaps? Not to, “get all Buddhist,” on everyone’s asses, but reactionary complaints can sometimes become very hollow, and I REALLLLY don’t want to start sounding like someone’s parents. At least, not yet. (Just, please, let’s never, EVER allow it to be called ‘NuPLUR,” OK? Can we at least all agree to that? I mean, really… )
A new year is coming, and I’m confident we’re going to start seeing some happy changes as far as a lot of aspects of music are concerned.
TL;DR …Ozzfest sucks.. Hooray for 2014, PLUR shit, retro DnB stuff, the Beastie Boys, and alternative dance music! (ADM? LOL!) …Also, although “lingerave” isn’t all bad, I can definitely see why some folks don’t care for it..
///End of rant.
…..and by the way, in case you’re wondering, and before anyone calls me a douche for this: YES, the acronym ‘ADM,’ is a little bit tongue-in-cheek. If you’re going to call me a douche, there are so many other good reasons! Like the fact that I used to have those Hot Topic pants :P
I didn’t think I’d be writing another post describing an album as being both skweee AND sega-ish again (or at least this soon) but hey, I guess that’s 2013. The king Of purple (Joker!) releases a Sega rave album!
Yes, nine new tracks by Joker, ‘Drive’ is a series of fun tunes (stages) reminiscent of Sonic the Hedgehog or Toejam & Earl. Any old Sega-gamer from back in the day will get at least a few delighted smiles out of this album. Stages like ‘Lava Lake,’ and ‘Emerald Ring’ do more than just point vaguely towards a cast of characters from long ago – it’s an outright purple funk chiptune soundtrack for Sonic (and Sonic-ish) games, and that’s so much of the fun!! Mathematically speaking, a nostalgic or revisionist video game album by Joker can’t be too bad. It just can’t. Take a listen to this nine-track mini-album, I promise you’ll get a kick out of it!
For the win!
This is a demo pack for “StrangeFlow and Simteks’ North Korean Neuro Bass Bombz From Outer Space.”
If you enjoy these FREE BASS BOMBZ – i.e. if these bass bombz are bombin’ enough for ya, please consider getting the full package..
The entire package is about 450 MB – which is, to say the least, an extraorinary value for $20 USD. The full package includes all of the samples found in THIS demo package, offered below – as well as many more samples – (except, instead of being piled together, one after another, they’re organized by folder – because there are TONS of bass bombz in the complete package, and you gotta’ keep your bass bombz organized, after all!)
To check out some of the specifications for this package, go HERE…
Below is a tune that Simteks created with the full package of “StrangeFlow and Simteks’ North Korean Neuro Bass Bombz From Outer Space.” Its a test track to guide you through the arsenal of bass bombz available, and hopefully you’ll enjoy some of the sounds you hear!
If you like what you hear, feel free to check out the full package, which is available here. Like stated earlier, the full package is being offered for just $20 USD.
Well, the title of this article pretty much sums it up nicely.. Simteks drops demo tune to show off the massiveness that is the ‘StrangeFlow and Simteks Present… North Korean Neuro Bass Bombz From Outer Space,” – a sample pack filled with tons of electrified and funktastic beat, bass, and one shot drum samples!! The entire kit, including EVERYTHING in the package, weighs in at around 450 MB… which is pretty fucking hefty.. Anytime you can get close to half a gigs worth of usable audio material (much of which can be used to create music in the style of Opiuo, Tipper, or KOAN Sound) and only pay $20 USD, you pretty much have to consider it.
Here’s the incredible demo tune, below:
Below is the sample pack that Simteks used (and helped CREATE!) to make his demo that you’re likely listening to right now in that soundcloud widget above. All the samples are in WAV format, and for specific details, click the image below!
Yep, you heard correct! The illustrious Simteks (who not only mods GlitchHopForum.com but also invented SimteksMusic.com) has teamed up with StrangeFlow (creator of Bassadelic, and inventor of many funky glitch hoppy bass gems) to give the world something truly special.
So, the story goes like this… Strange and Sims journeyed to East Asia, specifically, to North Korea. Why? In search of bass bombz, of course! I can’t legally say that these two are spies, but… well… they’re spies… space-spies…
They captured the bass bombz, and as it turns out they’re not weapons of mass destruction, they’re weapons of mass neuro-tastic funkgasmic bass! And They want to offer them, now, to the public!
StrangeFlow and Simtek’s North Korean Neuro Bass Bombz From Outer Space!
This package includes:
A variety of .WAV samples by StrangeFlow and Simteks, including..
-27 Bass Sustains
-71 Drum Samples (including 27 premium / original beats)
-44 Neuro Bass Riffs (organized by key)
-Bonus Reese Samples, Funky Snares, and other Misc Goodies !
Want more information? Well, here’s the write-up Strange did for these super-destructive loops of chaos!
Question: Who is responsible for this filth?
Answer: Simteks and StrangeFlow, champions of music production and music blogging!
We have teamed up, in this most-unholiest of sample products, North Korean Neuro Bass Bombz From Outer Space!
Simteks is known for his incredible music production website (SimteksMusic.com) as well as for his high-powered bass-killing electronic music – and for his skills in the field of audio
mastering. StrangeFlow is known for his funkified and forward-thinking electronic music, as well as for his website (Bassadelic.com) a blog for music producers.
The two teamed up to put these North Korean Neuro Bass Bombz into a series of .WAV files, and these samples are ready to be plugged into your DAW immediately, and shoot insane bass-fire
out onto your dancefloor!
It was our mission to capture a specific sound of modern electronic music… something on the funkier and bass-heavy side of things, including bass riffs and sustains with oscillations, frequency changes and overal sound progressions typical to much of what is considered the,neuro sound.
We have also taken great influence from many artists, including KOAN Sound and Opiuo, just to name a couple. We have nothing but props for these musicians, and for all musicians who
continue to push the boundaries and exptectations of music and sound!
We have added a number of beats and drum samples, as well. All the beats, as well as the bass loops and riffs, are in the 100 BPM to 106 BPM range, allowing the producer the ability to
create funky / neuro midtempo grooves as quickly as possible. Though, it should be noted that you can, of course, speed up the tempos when using these loops, if you want to, and that 100 to 106 BPM is merely the speed at which these sounds were recorded at, and you will find that most of them sound best when played closer to their original tempo (or faster).
In addition to everything else, a number of bass one-shots have been added which are solid and easy to use in production.
We have included some bonus material, as well, which is mostly unrelated to the neuro theme of this package, though these extra samples can be used however you see fit.
These are all .WAV samples, and are compatible with all major devices that allow for use of .WAV files.
There’s nothing else quite like this sample pack out there, and we really hope you enjoy these samples and find them useful!
So how much is this incredible fucking sample pack, StrangeFlow and Simteks?!! We Need to KNOW!
You can pick this thing up for a mere 20 dollars USD.
In case you’re asking, “SIMTEKS, STRANGEFLOW! This all sounds too good to be true but.. wait, what do you mean by ‘neuro’ exactly? Can you give me an example of a song that already exists that reflects the funky/neuro/midtempo – ish bassy electronic aesthetic you guys were going for?”
OF COURSE! Here, listen to some to these sounds below, and you’ll get an idea of what we mean when we’re talking about the neurofunk / bassy midtempo electronic stuff…