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Vintage-Style ‘Kill the Noise’ Zombie Video!

Posted by StrangeFlow on August 20, 2012
Posted in: Articles, Review. Tagged: 70s, beatbox gun, dubstep, film, fun, insane music video, kill the noise, movie, old film, post-apocalyptic, vintage, zombie. 3 Comments

Kill the Noise

So, this was just released today. It’s a new video from Kill the Noise, and I have to say… it’s fucking crazy! I especially love the boombox-gun, and the dubstep army they amassed for this production! It’s like a small rave-movie, and I’m loving it!

You really should check this out, if you’re a fan of electronic music, zombie movies, crazy post-apocalyptic 30mm 70s films, or just colorful scenes and fun explosions…

Really fun!! Check it out!

Angryrancor’s Guide to Making Trap Beats (+ 12 Free Samples!)

Posted by StrangeFlow on August 20, 2012
Posted in: Articles, How-to / Tutorial, Samples. Tagged: 808, angryrancor, bob marley, crunk, Free, free music songs, free samples, free tracks, how to make beats, how to make music, kaya, loops, making electronic music, making music, production quality loops, samples, trap, trap guide, tutorial. 17 Comments

Angryrancor's Guide to Trap Music
Trap music is on fire lately, so naturally everyone wants to make it.

Elements of Trap Music:

1. Roland TR808 kicks, hats, toms and snares

Kicks are made to sustain for a long time typically to emphasize sub bass tails. 808 Toms are probably the most common element used for “fills” (maybe every 4 bars or so, depending on energy of the tune and what else in it).

Typically the snare is an 808 snare with an equalizer boost around 200hz and highpassed somewhere in the 50-120hz range (depending on the bass of course!)

You can obtain these from any 808 sample pack on the net, use an actual TR808 or Nepheton by D16 Software which emulates a TR808 in a VST (I happen to use Nepheton myself).

2. Drip effects

Sampled or synthesized water droplet sounds are very common.

3. Chants

Made popular in recent history by Crunk artists like Lil’ Jon and the Eastside Boyz. Sounds a bit like old native american chants (think of the classic Ho-Ya Ho-Ya Ho-Ya Ho-Ya war / drum circle chant used in a lot of movies). But in crunk, it’s “Hey!…Hey!…Hey!…Hey!”, or “Grr” “Uh-huh” or any other type of repetitive short vocal hit. You can cut these from rap acapellas a lot of the time.

4. Leads, other basses etc

This is the best part about trapstyle – the rest is pretty much up to you! A lot of artists will put moombahton leads hits and elements to fill the lead line, or some will play something dubsteppy to give it a melody, or even electro or swing elements go well in here. Another alternative that is fairly common is to do literally NOTHING in this place, instead putting in a raw lead vocal acapella or emphasizing variations of the standard elements of trap in the beat. It really is up to you… And I think this is what motivates a lot of artists like myself to make this type of music. You are left with a lot to your imagination as to what goes in (at this point in time, anyway!)

I attached a sample pack of loops made in Nepheton (a TR808 emulator VST). Feel free to cut out the individual drums or use the loops in your own compositions, however you see fit.

Have fun with em, I reserve no rights except to ask that if you redistribute the raw loop files let everyone know they came from angryrancor and bassadelic.com. Otherwise go ahead and use them in your own free or for sale music – you can give a mention to me and bassadelic on your tunes if you want, but it isn’t required.

Here are a few trap tunes I’ve made:

Again, in case ya missed it, here’s the free sample pack for ya!

Have fun!

-angryrancor


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Simtek’s Killer Boomers Sample Pack!

Posted by StrangeFlow on August 20, 2012
Posted in: Articles, Samples. Tagged: audio production, audio samples, bass, bass samples, killer boomers, one shots, production quality samples, simteks, sub bass, subbass, subbass samples. 4 Comments

Simtek's Killer Boomers Sample Pack
So my homie Simteks just came out with a new package for edm producers, and it’s dope! He’s selling it for only a few bucks, and you’re definitely going to want to check it out… here’s a preview:

Here’s the write-up, in Simtek’s own words….

This sample pack contains:
185 x 32 bit .wav files
185 x 24 bit .aif files
7 x sampler instruments

FORMATS

Ableton Live, Kontakt, EXS24

A sample pack containing 185 high quality files of seven different kicks, multisampled and covering bass notes down from C2. There are at least two octaves worth of samples for seven different styles of kick, all inspired by the classic Roland TR-808 boom. These samples have been meticulously synthesized and processed, and are recorded with plenty of headroom so you can gel them in whatever mix you would like to put them in. Each different kick features different tail lengths, harmonics and dynamic behavior so you can pick just the right kick for your track. There are also seven sampler instruments premapped for Live, Kontakt, and Logic users out there, for easy plug and play usage.

Why not just get an 808 sample and pitch it, you ask?
Depending on the quality of the sample, pitching an 808 sample can sound pretty terrible. Some are low bitrate, and do not transpose well, some have tape distortion or some other analog effect applied and when pitched sound off. Sometimes, you just want a short tail, and pitching samples up results in an unuseably short kick; while pitching them down results in distortion and a longer tail that you desire. This pack contains one sample for EVERY note at least two octaves below C2, so sample stretching is no longer necessary.


Click here to get those samples.

____________________________________________________________________________
Thanks for the awesome samples, Simteks! They’re dope as hell, and I’m starting to see more people download them and talk ’em up :)


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How to Get That Purple Sound

Posted by StrangeFlow on August 20, 2012
Posted in: Articles, How-to / Tutorial. Tagged: chop n screw, chopped, dj screw, EDM, electro, electrofunk, joker, paul wall, purple, purple sound, purple wow, wonky, zapp. 2 Comments

How to Get That Purple Sound

So, every so often, the term ‘purple’ gets thrown into music. What does it mean? What is this ‘purple’ thing about? There’s a few different styles that have incorporated the ‘purple,’ sound or mindset, and I’ll do my best to explain them to you…

Purple used to be associated as sort of a ‘royal’ color, but there are lots of uses of purple in history… For a lot of people, consciously or subconsciously, it’s a color of mystery. Prince wore a lot of purple. Hendrix wore a lot of purple. It’s an intriguing color, and some of the musicians of the last fifty years to wear it seem to have a certain exciting intrigue to them… Is it because they’re wearing purple, or because their mysterious persona gravitates towards it? I would guess it’s not the former – because if it were, that would be a prime example of faking the funk, as funk goes right along with making purple. I’ll get into that a little later.

Let’s discuss the music aspect of it. Though I did mention Jimi Hendrix, for the purposes of this article, I would instead like to point out specific styles or genres that incorporate purple, rather than individual musicians, and I think there are three main instances of ‘purple’ sounds in modern music (especially electronic music) of the last few decades –

1.) funk / ‘old-style’ electro
2.) hip hop (especially chopped ‘n screwed)
3.) wonky purple edm

Alright. So first let’s address the funky electro…

Well, basically, you can find a lot of this stuff coming from the very late 70s, and up until the early or mid 80s. It’s synthy as hell, and often employs the use of vocoders and talkboxes.

Purple is a swagger, it’s an attitude, and a lot of this music has a big dose of funk smeared all over it – and funk is an attitude and swagger as well. So, at first, you might guess there is an overlap, but in fact, I would make the argument that purple comes right out of funk. It might be seen as a subgenre, but really I think what creates the purple funk, more than anything else, is having a confident and funky outlook on things, which could, in turn, lead to a purple demeanor. Confused yet? Well, it’s not so easy making purple music, is it? Don’t worry, I’ll explain it some more. But first here’s a great example of some old electro funk, to keep you going…

The second instance of purple I want to talk about comes ten years later, in hip hop. Before I go any further, though, I should point out that a lot of hip hop in the early 80s was married to electro funk. It makes sense when you consider that hip hop, as well as purple, come right out of funk (funk spreads its seeds all over the place). That being said, hip hop in the 90s sounded quite a bit different than most of the electro funk of the 80s – especially the chopped ‘n screwed hip hop from Houston, Texas.

So, when you hear talk of purple, in reference to chopped ‘n screwed, people are usually referring to codeine / syrup / ‘lean’ / purple drank, etc; and also to chopped ‘n’ screwed music, which is kind of like a soundtrack for purple drank. It’s a sound created by DJ Screw, a DJ from Texas who made TONS of rap mixes with a heavy, heavy purple influence… Anyone who’s drank lean and then listened to DJ Screw will likely agree with me on that… The music is so slow that it’s almost scary. It really has one of the most unique sounds of any genre or subgenre I’ve ever heard, and I’ve heard a great deal of music in my time. Here’s an example, if you’re not familar…

Ok, so, the third instance of purple takes place in more modern times, and in edm/rave music. Actually, I’d like to point out an article I read about ‘purple-wow,’ a phrase which I’ve never heard anyone use in real life, but just the same, it’s a relevant article, and yo might want to check it out here: http://generationbass.com/2009/08/17/the-purple-wow-sound-g-funk-meets-dubstep/ Their definition of this sounds is, basically, “G-Funk meets Dubstep = Purple Wow Sound!” .. personally, I think you can easily go beyond dubstep with it, and also, “Purple Wow,” is a really cumbersome and wonky name for anything.. And also, I think something’s to be said for the wonkiness of the sound.. I think it has a lot to do with making funky music, with it’s unique style of wonky / off / almost dissonant melody.

For example, if you start playing a melody (and wonky melodies often employ the use of square waves, btw) people might think your melody is going in a certain direction – but then, all of a sudden, one of the notes just rises an extra octave or two, and the next note clashes! Then the melody goes back to normal, then it drops an extra octave or two, just for a note, and then raises up in pitch to normal, and repeats that cycle, over and over. That’s just one of a few ways to incorporate a wonky / purple melody. Killing the expectation goes along way here, musically. You can really create a wonky off-type of sound by leading people on and then going in a decidedly different, weirder direction. Sometimes it even sounds ugly. This also goes along with funk. ‘Funk’ was originally a term used to describe jazz music, as in, ‘smear some funk on that melody,’ etc.

Exactly! Smear some nasty, funky purple all over your melody!

Also, don’t forget about the rhythm. I know I’ve mentioned this before, and one of my very first video tutorials was about it. Wonky / off-beat rhythms have gone into a lot of interesting songs that hail the label of ‘purple’ as their weird and funky flag. I like artists such as Joker, Ginz, some Joy Orbison, and the tune, ‘Drippin’ by Mimosa is also pretty purple and crunky.
(I have also seen the term, ‘wonky’ used to describe specific techno and trance tracks, like the one by Paul Van Dyke or whomever… the track is called ‘wonky,’ and I think it basically just means high-pitched or ugly, or something like that. I hate what techno has tried to do with wonky, it’s boring, and they use the term in the blandest and most boring ways imaginable, and I refuse to write about it anymore than I am right now.)

Anyway, here’s a good wonky purple tune for ya, from Joker…

So, in conclusion, incorporating elements from any of these styles can help you create a nice, funky, purplish sound. There’s obviously overlap, stylistically, as you could go right ahead and create a chopped ‘n screwed type of wonky beat, with vocodor and electro funk influences, if you wanted to. No reason to stifle yourself creatively, when going for the purple! Another example of overlap could be how you might see the word ‘crunk’ a lot more in electronic music now, even though that style came directly out of from hip hop.

So, as far as the last few decades of purple go, there’s the purple electro funkishness, the purple drank chopped ‘n screwed stuff, and the modern ravey dubstep or post-dubstep square wave / wonky funk stuff, which often incorporates the hip hop and electro funk stuff, too. Really, any of the influences I described can be taken and smeared in any direction you might want to take them. If you find yourself gravitating towards purple, perhaps you’re in a good position to purple-up some new styles of funk that the world hasn’t even heard, yet! I’d be down to listen to some new purple, any damn day.

The Great Viral Video Hoax (& How You’re Being Lied To)

Posted by StrangeFlow on August 19, 2012
Posted in: Articles. Tagged: hard work, hoax, hype, internet campaign, lie, lied to, quality content, scam, sensation, timothy ferris, viral, viral video. 3 Comments

The Viral Video Hoax (& How You're Being Lied To)

So, we’ve all seen it… on tv shows, on popular blogs, or hearing from a friend of a friend of a friend, that, “Oh yea, what’s-his-name posted a video, and it went fucking viral! Four million people saw that video, and now he’s got… like… a career, or whatever, making videos, you know? Word!”

I remember how, on so many tv shows, they would have an ‘internet-themed’ episode, where some character does something stupid, and posts it on youtube, and then – BAM! – instant success, instant fame, and now they have to pick up the pieces of dealing with stardom. Ten thousand billion-trillion hits (and counting) on their little video.

It’s typically a bunch of bullshit, and here’s why…

You’re probably not going to have anything you do ‘go viral,’ for a long time. But actually, before I get on to that, let’s back up a second, and allow me to explain something… What is Viral, really?

Here’s a little blurb from Wikipedia…

“The adjective or adverb viral and the noun virality may refer to any viral phenomenon, that is, an object or pattern that is able to induce some agents to replicate it, resulting in many copies being produced and spread around. For example, virality relating to social, cultural, emotional and affective contagions that spread through sociotechnical networks.”

So, if you post an image to Facebook of a sad clown tripping over a cute kitten, and someone shares the image to Tumblr, and someone shares that to Twitter, and Anderson Cooper sees it and posts it on CNN, that’s ‘viral,’ right? Or, at least, that’s the idea, right?

Here’s the thing. You’re probably on this site because you want to make music, don’t you? So how do you make your first album go viral? Chances are, it won’t.

Let me repeat that, it won’t.

There’s this myth out there, that everyone knows about (but few talk about it as being a myth) that basically makes people believe they can achieve instant stardom with very little work. All you have to do is ‘get lucky,’ eh? Yes, it’s happened, I know, but let’s get realistic for a second… Most of the ‘reality-stars’ don’t really go very far, do they? I mean, some of them get their fifteen minutes of fame, but then what? Remember that ‘I Love New York,’ woman? Does anyone? Where is she now? She was trying to make a name for herself, but it sort of fizzled out, didn’t it?

If your goal is to ‘go viral,’ and have everyone see what you’re doing, wouldn’t it be better if you already had a ton of work done, and a lot of content to show for yourself? I mean, think about it, if you did have ‘that one awesome viral video,’ and it leads people back to your site, wouldn’t it be great if you had more than one or two tracks to show people?

If you had a whole album, or a whole string of albums, people would be more likely to buy them up and talk about you then if you just had one song that people could just listen to, over and over again, right?

Do you see what I’m saying, now? The whole ‘going viral’ thing isn’t a ‘bad’ thing, but it isn’t something you should really be hoping for if you don’t have much for people to virally link back to you for… and even if you don’t ‘go viral,’ right away (which you probably won’t) what is the big deal? If you put in hard work, and smart work, and good work, there’s a decent chance people will start to see it, eventually. I know that’s not the glorified myth that people want to hear. It’s not the instant-fame story people want to easily run into. It’s not a big bag of gold someone put on your front doorstep. But come on, which reality is that supposed to take place in, anyway?

Pretty much anyone who ‘goes viral,’ and then manages to stay afloat afterwards (and develop a career out of) probably had a good career prospect to begin with. Those who had nothing to offer tend to see their viral-careers die out pretty quickly.

There are, of course, a small number of exceptions – but those exceptions are broadcast over and over and over, as the media shoves them in your face as it screams at you, “Here, here it is – you can be popular like this stupid lucky person, isn’t it great?”

No, it’s a goddamn carrot on a goddamn string. They want you to think you could get lucky, so you’ll stay tuned through the next few commercials (and then buy deodorant or beer or whatever) and then watch the five-minute clip they have about the newest so-and-so internet start who “got lucky.”

You might say, “Wait a minute, people do get lucky! People win the lottery everyday!”

True, they do. Out of seven billion people, a few do get lucky. A few. Only a few. I never buy lottery tickets, and I think it’s just one more way to trick the poor into giving up their money, a couple dollars at a time… “Look at the fabulous winners!” No, I don’t want to, it’s a bunch of bullshit. That’s not how most people get wealthy or successful (you know else who also ‘gets lucky’…? The people selling the lottery tickets… just saying…)

Unless you have something to say and are willing to work hard and have something to show for it (or, simply put, unless you have something of ACTUAL quality) then you’re not REALLY going to get anywhere.

Though, on a positive note, it is worth pointing out that if you are working hard and willing to keep working hard and push out quality, then guess what? There’s a lot of folks in your field who ARE under the impression they can just do a minimal amount of work and then they’ll ‘go viral’ – and have that cash truck show up at their house, with a bunch of unicorns and mermaids and cupcakes, and they’ll all rejoice about how easy it is to strike it rich with all that internet-gold!

But they’re going to burn out, and burn out QUICK, because, sooner or later, they’ll realize that it just isn’t happening for them fast enough. Then, those with real ambition, like YOU, invariably get to the top a lot quicker. It’s basic math.

Timothy Ferris says there is not much competition at the top. I believe it. So, think big. But also, try to remember that most people will give up before they even get halfway up that damn mountain, once they understand how big the mountain is. It’s not easy, but it’s worth it. Most people, in my opinion, are extremely lazy. If you can motivate yourself to get past the point of someone else’s laziness, you’re on your way to becoming a lot more successful.

-Will (StrangeFlow)

StrangeFlow’s 20 FREE Juke Beats

Posted by StrangeFlow on August 15, 2012
Posted in: Samples. Tagged: 20 loops, 2012, 808, addison groove, chicago, chicago dance scene, dj, dj diamond, dj rashad, EDM, electronic, footwork, footwork movement, free beats, free juke, free samples, ghettohouse, ghettotech, juke, royalty-free, strangeflow. Leave a comment

StrangeFlow's Juke Beats (20 FREE Samples!)

Once again, it’s another beat pack. This time, some juke samples to get you started, if you’re so inclined. These are Chicago juke samples, each weighing in at 150 bpm, all instrumental. Help yourself! If you use ’em for anything cool, any new tracks, etc, feel free to post a link here and show everyone what you did with them!

Hope you guys enjoy these. More packs to come soon! Click the image for a direct link to the files!

-StrangeFlow (Will)


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