[THE 5 MINUTE BEAT CHALLENGE] Ep. 01 – 5ifty$ix K Makes a Footwork/Juke Beat
‘Nuff said, really. It’s a challenge for the ages! For centuries, man has tried to make a footwork beat in about five minutes, and science has finally made it possible.
Decided to do a tutorial today. In the video you will notice I keep saying, ‘he,’ when I mean, ‘they,’ and, for this, I apologize. Flosstradamus is a duo, and they got me hooked on trap music… I also want to point out that this is an homage to them. I’m not trying to rip ’em off, but I intend to help electronic producers get over the learn curve for making trap music easier, and to understand what it is their favorite artists are doing. With this particular tune, the 808 is DEFINITELY the main rhythmic instrument. Hope ya enjoy, and happy mixin’ !
Well, Dewey DB, of Glitch Hop Forum fame, decided to run a competition. The Glitch Hop Forum Competition. It was a major success, and everyone loved it. Well, about one year passed, and Dewey decided to do another competition, and this time, the theme would be, ‘Field Recording.’ The problem, however, was that many folks seemed to not understand what that meant. Many of the more basic rules were misinterpreted, for whatever reason, and Dewey didn’t know what to do.
He decided to ask Yuri to step in and help out. Well, Yuri happily obliged, and gave Dewey this video..
Yuri invents his own sort of remix style, of which he calls ‘chewed & screwed,’ and he ‘performs’ it on an Opiuo track – “Monkey Crunk.”
Let Yuri know if you have any video suggestions for him! From saving glitch hop competitions to holding several world records for fastest beat (in virtually every genre category imaginable) the titan known as Yuri is always down for a video.
Received a couple questions about my first electro swing tutorial, so I thought I’d make another video, to try to clarify some things a little bit, as I want to encourage people to ask questions :)
Getting that swingin’ beat can be difficult at first, but with practice, it’s very do-able.
The trick is just to have the second half of a beat pushed as far to the end of the beat as possible, and not necessarily quantizing it to any half or quarter notes.. I’m talking about sequencing, when I say that. If you have a beat that plays, and then repeats, imagine that the second half of the beat is almost ready to jump into the second looping of that beat.
Here’s an example to show you what the hell I’m talking about..
So, you see in the first row, in the image above (with each Strangeflow-with-goofy-cap ICON representing a drum sample – in this case, let’s say its just a kick drum) – do you see how there’s a StrangeFlow head (kick) on the 1, 3, 5 & 7? That’s the basic 4/4 beat. It’s what’s expected from a techno beat, electro, house, etc… And yes, there should also be snares or claps or hats, but for right now, for the basics, I’m just talking bass kicks…
The second row is much more swung out, meaning…what? Look at the StrangeFlow heads, this time. He’s still on the 1 and the 5, and still has a stupid cap on, but instead of being on the 3, he’s sorta… closer to the 4, right? And then, closer to the 8, eh? He’s not perfectly quantized. He’s just a little bit swung out…
I really encourage you to try it for yourself. Just get any kick drums. Anything. Whatever 808 or 909 kick drums you have. Or, sample something. Just for a test. Try it out until you feel you’ve got a swing.
For a second test, you could make the note (the StrangeFlow head on the 3 and the 7) into snares, and then let the heads on 1 and 5 remain as bass kicks.
Go ahead and try it out, see what you get. The thing is, it’s weird at first, but after awhile, with a bit of patience, you can get it. The closer the second drum kick is to the end of the 4 (or, the end of the 8) the more ‘swung’ out it is.
Here’s another electro swing tutorial I did, to further clarify what I’ve just talked about, and also to incorporate it into a remix of a Paul Whiteman tune!
This video clears up a question about what kick drums to use for electro swing remixes, and also shows StrangeFlow manually swanging the beats out hard, and mapping it to a big band swing tune!
Also, one last thing to point out is that the there will be a second Authentic Electro Swing Samples pack coming out soon! There have been a lot of packages coming along, here at Bassadelic, and we our excited for the next couple of months!
Stay tuned! And, I hope you enjoy the video and learn a little more about swangin’ out those beats! Once you really get how to do it, you’ll see how much fucking fun it really is! :) :)
This is a skeletal / rough-draft version to help you understand how TNGHT (Hudson Mohawke and Lunice) sequenced their hit tune, ‘Bugg’n.’
I want to point out – the synth-sound IS a little different than in the original tune. Also, this is NOT the full tune, it’s my projection of the intro of the song, sequenced / traced into Ableton Live and Acid Pro. It will, however, give you a good idea of how the bass, melody, and beat were sequenced.
Yes, good ol’ fashioned beat-tracing! You can figure out a lot about a song by tracing it. This is not my first video, but definitely my first traced-beat tut, and many more could be on their way, if it turns out that folks like these videos…
So, hopefully some of y’all enjoy this!
I hope this video was helpful, I made this beat tut for the electronic musician who is determined to learn how to make a juke beat but doesn’t know how to start.
Also, like I pointed out in the video, there are TONS of incredible Chicago juke tracks out there, and I was recommend inundating yourself with them as much as possible if you’re thinking about making any kind of juke music.
Also, check out the footwerk (or footwork) (or footwurk) videos here on youtube. I promise, some of them will blow your mind. Thanks, and happy mixing!
I got an idea for an article today, and – wait, no, backup. That’s a lie – I got an outright suggestion for an article today, from Pluse! He gave me the idea of writing about how best to manage sample folders.
(I told y’all I read comments :-D )
It can be tricky sometimes (especially for the new producer) so I thought I’d offer up a few suggestions.
So, there’s different ways of going about this. Obviously, it isn’t always an exact science, so feel free to use this information any way you see fit. As long as you get things set up the best way possible for your needs, you’re golden. I’ve personally had to reorganize my files over and over, throughout the years, for various reasons…
Sometimes I get a new laptop, and decide to start over and re-initialize some sort of management plan for sounds I’m going to use… and other times, I’ll realize I have so many samples all over the place that I need to go over my organization -or just start over, altogether. It happens. I remember having a very clean system, at first; after months went by, however, I realized I had bulky clumps of out-of-place samples that I kept clicking on, and they weren’t really put in their proper place from the get-go.
But whatever the reasons you might have, it is ALWAYS good to plan out where you’re going to put things (have an organization system) and to try to stick with your system. As long as you stay logical about the whole thing, you can really cut down on clutter.
So, here are the basic rules to remember: StrangeFlow’s I.D.M. system of sample organization. And, seeing as the acronym I.D.M. isn’t being used for anything of relevance, I propose to use it for my basic sample-management rules…
(Seriously, who throws the word ‘intelligent’ into their genre name? I mean, come on, is it really ‘smarter’ to make an un-catchy track that you can never play on the dance floor? Why? Ok, enough digressing…)
Ok, now let met just mark this in a bigger font, so that people who are only skimming this article will notice this as a main point… Hold on one moment…
Alright, there we go. Now, here’s the system:
1.) Initiation: Create a system to organize your current samples.
2.) Durability: within your system, allow yourself the ability to add more samples to your current organization as time goes on. (because wouldn’t it be a shame if your system was too uptight and rigid to allow for space for that new Ultra Violent Moombah Beats sample pack you just downloaded from Bassadelic? ;) You get the idea)
3.) Maintain: periodically clean your sample folders every so often.
Now, I.D.M. is pretty basic. But let’s get to the specifics…
I think one good thing to do is to differentiate between drum one-shots, drum loops – and then instrument one-shots and instrument loops. One-shots being your basic 808 bass kicks, your snares, your claps, you get the idea.. And loops being any fully-sequenced samples. Beats are loops. I know it seems overly basic of me to state all this, but some folks I’ve talked to honestly don’t know some of this, so there ya go.
Here’s how I would organize a folder of drum one-shots…
I like to include an ‘other,’ or a ‘miscellaneous’ category, just in case. Also, I didn’t mention where to put claps or snaps or things like that. Personally, I’m not against sticking them in the ‘SNARES’ category, and possibly changing the name of that folder to something like ‘SNARES, CLAPS, ETC,’ or something like that.
What about bongo drum samples? Good point – and for me, I use a lot of bongo hits and stabs as if they were hi-hats, dancing around the bass kick and the snare. But if you want to, you can do something else. You might consider having a ‘percussion’ folder, or ‘hats/percussion.’ Basically, I consider hi hats as an afterthought. Yes, they can be important, but I think it’s mostly about the kick and the snare, when setting up the base of your rhythm, and adding hats or other percussion or bongos later. That’s just me, though.
Within each of these categories (BASS, KICKS, SNARES, HATS, etc) are going to be folders for differenet types of one-shots. As in, if you have an 808 drum kit, put the basses into the 808 BASS folder in your BASS category, 808 KICKS into your KICKS folder, etc…
What is ‘FX’ supposed to be? FX could refer to anything outside the realms of the bass, kick, snare, hat, cymbal/crash setup… (though you might just group ‘FX’ with ‘OTHER,’ and call it a day) risers could be FX, weird lazer beeps could be FX, etc. Though, like I said, you might just group it them into the ‘OTHER/FX,’ and have it work out just as well.
BTW… as an alternative method, if you want to keep all the 808 samples and all the 606 samples and all your… Cheetah MD16 drum boxes separate, do it. You don’t have to organize by kick, snare, hat, and clap. I recommend it, though – especially once you get a lot of sounds into your arsenal.
Alright, moving on…
Here’s a few more things to consider… One thing I tried out once (which, for me, became unmanageable after about a year and had to be dismantled) was having everything organized by genre. It became unmanageable because I kept adding genres. At first, there was a ‘HOUSE, TECHNO, TRANCE,’ folder, a ‘BREAKS’ folder (which consisted of ‘DnB’ and ‘HIP HOP’) and also some a ‘GABBER/HARDCORE’ category, and then some kind of ‘OTHER’ category. This served me well for awhile, but then I decided I wanted to try my hand at dubstep, which was, at the time, still quite a new genre. Well, I wasn’t exactly sure where to put dubstep samples, and I think, at first, I tried putting them into the BREAKS folder. Then, I just decided to make a DUBSTEP folder, all it’s own. That worked out, at first, until, after awhile I realized I had made about ten genre folders in a little over a year, and it was getting confusing. I always wanted a few samples from the BREAKS folder, but then I would have to go back into the TECHNO folder for kick drums I liked, and it became clear that keeping my 808 samples in the TECHNO folder was a little obtuse… (because, really, what makes a drum machine more techno than hip hop? Nothing! Especially concerning the 808! Techno and hip hop both had their go at it! It’s a vicious love triangle that’s been going on since the 80s!)
Anyway, I eventually scrapped this system, and decided that I shouldn’t try to keep each genre quite as separate, as far as being main sample folders… What works way better than the ten-genre-folders organization is this: having genre-based loops WITHIN the DRUM LOOPS folder. Sounds similar to what I just preached against, I know, but actually, it’s the opposite of what I was just talking about. If you do it this way, you can certainly incorporate loops from some new sample pack you download! I would recommend not even naming folder after entire genres, though, at least until you have enough drum loops that it actually matters. If you only have three folders of loops from different genres, you’re not going to get them too confused, most likely. Now, if you get to the point where you have hundreds of sample packs (or, whenever you find it hard to get what you’re looking for) then sure, changed things up, and add genres if you want.
So, here’s what I mean, in organizing my ‘DRUM LOOPS’ folder… And, remember, this is just ONE EXAMPLE. It really depends on what samples you have. I’m still setting mine up again, as I just got a new laptop the other day…
……..STRANGEFLOW’S ULTRA VIOLENT MOOMBAH BEATS
……..HIP HOP BEATS/LOOPS
Also, it might help to further sub-categorize with ‘ORIGINAL,’ ‘ROYALTY-FREE,’ and then, ‘SAMPLED,’ for everything (including one shots) if that’s relevant to you.
Also, if you don’t make dubstep, you’re obviously not going to have a dubstep-themed folder. And maybe you don’t (for some reason??!!) have those StrangeFlow beats… I’m just giving an example, because, as I stated earlier, until you have a ton of beats, you might not need to worry about it. What you could do, however, is stick those moombah beats into your ‘HOUSE’ category. A better category name for ‘HOUSE’ may be ‘4/4,’ as it gives you a better idea. Or, better still, ‘4 on the Floor,’ to borrow an older rave phrase (because almost all of this shit’s going to be 4/4 in time signature, anyway) – so, here’s a revised version, if you’re interested…
Organize it by the ‘feel’ of the loops…
or even by BPM, if you so desire… (again, it’s all up to you and your preferences) so here’s that example:
……..UNDER 110 BPM
……..110 BPM – 130 BPM
……..OVER 130 BPM
with ‘OTHER’ being optional… (you know, speedcore, and whatnot… I mean, yes, 210 BPM is clearly ‘OVER 120 BPM,’ technically, but it might better to keep that shit separated from the pack, since it’s fundamentally so extreme. Or, you could just say, ‘fuck it,’ and stick all your speedcore samples in the ‘OVER 130 BPM,’ and call it good. I know it’s extremely important that we all come to a consensus on that right away, as speedcore is clearly the most popular genre in EDM right now, and will likely stay that way, so…
(Once again, let me stress that this has to work for YOU… As in, if you’re creating a music studio to make Dilla-style breaks and you know for a fact that you’re never ((or almost never)) going beyond the 110 BPM mark, fit that into your classification! Instead of differentiating between 110 & 130, make a distinction between 75 & 90 & 100 & ‘OTHER’, for example…)
Alright, so have I confused you, good and proper? Alright then, time to add instruments!
Ok, after you set up an ‘INSTRUMENTS’ folder, you can then divide things further, and add subfolders as follows…
By now, you should get the idea of what I mean by setting up loops and one-shots. Individual instrument samples go into these two categories above. Conversely, what you could also do is have instrument types (which I’ll talk about in a second) and then for each specific instrument have a ‘ONE SHOT’ and a ‘LOOPS’ folder. I would prefer it the way above, however.
Now, as far as setting up specific instrument folders, you can easily do it the way Ableton Live sets it up, according to instrument type… As in, ‘WIND,’ ‘STRINGS,’ ‘PERCUSSION,’ ‘SYNTHETIC,’ (meaning synthesizers and all ‘non-real’ instruments) etc. I’m assuming most people have Ableton, or something close to it, and you can easily copy the arrangement they have… the ‘GUITAR’ folder going into the ‘STRINGS’ folder, and then, possibly, setting up ‘ACOUSTIC,’ ‘ELECTRIC,’ or however you see fit. If you don’t know what category an instrument is, look it up. Or, another method might be organizing by what culture it came from… I know, it seems weird doing that, and that’s not the first thing I’d recommend, but let me put it this way: I remember, years ago, getting a sample pack with a ton of Chinese instrument samples. I didn’t know what half of them were, and I knew I wasn’t going to use them very often, so I just left the folder intact, and putting it into the ‘INSTRUMENT LOOPS,’ which is a little wonky, but again, I knew I would almost never use them, so I didn’t feel the need to look up each instrument in that folder and figure out where it might go. You might do otherwise. Again, it’s all up to you and what direction you potentially see yourself going in your music.
So, I guess that’s about it. I hope I haven’t confused you. Again, this is not the ONLY way to do things. I just found that it’s always best to initiate some sort of system for organizing all your shit, because, the more and more samples you add to your professional beat-killing-studio-setup, the harder and harder it can be to troll through them, if they’re laying around all willy-nilly and out of place.
Again, remember the third tenant of the I.D.M. system! Make sure to go through and clean things. You might find random samples in random places, from time to time. Organize everything well and maintain it, and you will have far fewer problems!
Say now, here’s an interesting question – what do you do if you create new samples for specific tracks? As in, if you make a loop that’s very specific to a new track you’re doing, and it’s comprised, mainly, of lazer sounds, and it’s a 12 second loop? Well, if it’s something you think you might EVER use again, for something else, why not stick it in your ‘LAZER’ folder (if you’re routinely glitch-hopping-out and you actually have a ‘LAZER’ folder, that is) which should be inside your ‘SYNTHETIC’ folder, which is located in your ‘INSTRUMENT LOOPS’ folder. Or, you could put it into your ‘OTHER’ folder, if it looks like it doesn’t fit anywhere else. This leads me to another point…
I sometimes create a ‘FUCKAROUND’ folder, which is where I sometimes stick bizarre and longer sequences I might create when experimenting or improvising live with a bunch of drum samples and loops in Ableton. I used that folder a lot when I would make breakcore, and sometimes when I’m making glitch hop. It’s a folder of miscellaneous bullshit that I can sometimes use and sample a couple of good sounds from, here and there, if needed. You can stick that in the ‘OTHER’ or ‘MISC’ category, alongside your ‘DRUMS’ and ‘INSTRUMENTS’ folders, if you so desire.
On that topic, if you know for a fact that you’re only going to be working within one genre, and one genre only, it might not be a bad idea to organize your files WITH that genre in mind… What I mean is this: if you’re gearing up to make, for example, a really crazy breakcore or drum’n’bass album, and you’re going to need lots and lots of break samples, then you might over-organize your ‘BEATS’ folder, to differentiate, not only different genres, but different styles WITHIN the realm of breakbeats. You could always have a ‘CLEAN’ and ‘DUSTY’ folder organization, if you’re creating your own polished sounds but also sampling vinyl, and feel the need to immediately classify between the two. That’s just one example, but I hope you get the idea.
So, let me add one more thing to this article: the issue of backing all your files up on an external hard drive (vs.) leaving it on the hard drive. Ok, let’s consider this for a moment.
Over the last few weeks, I’ve posted over and over on this site about how I had to get a new laptop, and how I lost all my samples. It sucks, but aside from people saying, “oh, that sucks, Will,” nothing’s going to change; I still have to build up my sample arsenal, mostly from scratch. What’s the message? The moral? Back up your files! Sympathy will not get you your samples back, it’ll just give you a good excuse to complain a little bit! :)
Have your samples in two different places! Have them on your hard drive, and also back them up on an external hard drive. You will be glad you did it. Hell, after a new project, back all your projects up in your projects folder, on your external. They’re getting so much cheaper… I just got a 3 terabyte hard drive for $130. A couple years ago you couldn’t get half that amount for the price. But whatever you do get, it’s important to consider backup. Or, if you haven’t got any money, and can’t spring for that external 3 TB drive, you could always get a 10 or 20 gig drive – the kind that fits in your pocket. They’re pretty cheap, and, the best part is, they’re portable.
Rembember to save your project files, but like I stated earlier, keep them in a different folder then your samples. That being said, having multiple backups of your project files and releases is always a plus. ALWAYS a plus – as in, have a copy of your discography and project files in a cloud server somewhere in the sky, and have a copy on an external hard drive. It’s OK to be a little paranoid about a piece of plastic, if it’s a piece of plastic containing months (or years) of work, eh? So, in addition to the cloud and the external hard drive, how about having it all backed up on DVD, and putting those DVDs into a chest, and burying the chest in another state! Is that excessive? Extreme? Yes, it is, and there’s no downside to it, whatsoever. None. But even if you don’t go all psycho and bury them underground (which I still recommend) you should at least have one (preferably more than one) backup of project files.
Does this mean that, buried, somewhere in this country, there are some long / lost StrangeFlow discs? Is there still magic in this world?
Answers to those questions in another article, reader.
Welly, Welly Well, I hope this was helpful to some folks out there! I know I packed a lot of information into this, as it turned out to be a lot more comprehensive then I originally intended. If you have any questions, feel free to hit me up. I recommend leaving comments :) I’m trying to fill this place up with comments, to build a sense of community on this site. Either way, I hope you garnered some ideas for organizing your samples. Even if you don’t do EXACTLY what I suggested, but go off on your own specific tangent (which I also recommend) I think you will find that it’s far easier and far more constructive to have a sense of where everything is, when you’re mixing and designing new beats and bumps for the world!
And trust me, once you get enough samples in your studio, you’ll be extremely happy to have them all organized. I can attest to that from personal experience, as can almost every musician who has been making music for more than a little while!